Or money
Producing, in the theatre, is a risky business. Most shows never recoup their investment, so losing money is a very real possibility. We still have producers, though, because it is also possible to make a lot of money. They say (I’m not sure who “they” is), ‘You can’t make a living in the theatre, but you can make a killing.’ So, there’s that. A high stakes gamble.
But, mostly, we still have producers, because it’s a lot of fun. A challenge.
I like almost everything about producing except for the part about raising money. Which, unfortunately, is probably about 90% of the job. In the course of trying to get my play, Angels and Ministers of Grace Defend Us, off the ground, I got involved in an organization called Theatre Resources Unlimited. TRU is devoted to helping producers learn to be better producers. I found their seminars and readings and boot camps to be enormously helpful.
I wouldn’t mind being a producer.
Except for that part about the pesky money.
So, it is a miracle that I get to do a lot of producer-type things with Round Robin Shakespeare. Finding a space, making sure that all the needed materials are on hand (needed to acquire a few copies of The Collected Works, remember?), doing the PR. I don’t have to cast it or find a director or get a set built, and I’m not heading toward opening night and make-or-break reviews, but it’s a really good way to start small.
Playwrights are always their own first producers. Nobody will back your script like you will, nobody knows it better. We have to learn those skills, much as some of us might want to be left alone to write.
You can do that. Got a room? Got a pencil? A little piece of paper? You’re good. But if you want anybody to see it, there’s going to be at least a little marketing involved.
Learning all I can about that can only help me.
So, here I am, with this other kind of “production.” The library as “co-producer,” gets us a free space. Choosing Shakespeare gets us royalty-free material. Choosing a round-robin format spares us rehearsal costs in time and money. But the organizing and preparing and publicizing?
That’s producing.
And I get to do it. And I don’t have to ask anyone for money.
And that’s a miracle.
