Elaine Smith Writes

Anything She Wants

That’s redundant

And a good thing, too.

Yesterday, I was talking about how I got lucky with a computer crash and how that luck was based on preparation.  So, today, I thought I’d tell you a little bit about what those preparations were—and are.

First, hang on to all installation disks.  If you download a program from the internet, copy the installation file to a CD or a DVD.  And don’t forget the operating system.  My laptop has a built-in system recovery feature.  A portion of the hard drive is set aside to store the installation files.  That wasn’t anything I did.  That’s how it came.  It’s not my preferred method, though, because who is to say the drive itself won’t crash.  Often, a disabled hard drive can be resuscitated by a complete reformat.  At that point, you’d need the installation disks.  In my case, there are no disks for the operating system.  I won’t make that mistake with any future purchase.  A recovery partition is great.  I won’t turn it down.  But I want the installation disks for the operating system, too.

Second, backup all your data.  All your word processing documents, all your videos, all your photos, all your databases, spreadsheets, everything.  Back it up twice.  Keep one backup offsite, if possible.  Sure, a set in your desk drawer is great if your hard drive crashes.  What if your house burns down?

I used to leave a backup at my mom’s house.  Hard drives got bigger, and it became impractical, both in terms of time spent and DVDs used.  Now, I use Carbonite.  For a low yearly fee, Carbonite backs up a single local hard drive to their remote servers.  If you change a file, a new version gets backed up.  It happens in the background.  After the initial backup, it happens quickly, quietly and without slowing down your computer.  I highly recommend it.  (Just remember it’s not an archive service.  What Carbonite is doing is synchronizing your hard drive with files on their server.  If you delete something, they will too—after a specified period, of course, because what good’s a backup if you can’t restore things you’ve accidentally erased?)

I also use Second Copy.  It works in much the same way as Carbonite, except that it’s making a local copy—to an internal or external drive or to another PC on your network.  There’s no yearly fee.  You buy the software, install it, and that’s it (unless you decide to upgrade to a newer version at some point).  I use it to synchronize the files on my laptop with those on my desktop machine as well as to make a backup to an external USB drive.

At any given moment, I’ve got three copies of my data in my office and one in the cloud.  Could I still lose it all?  Sure.  But, at that point, I think we’re all gonna have bigger problems.

My point—and my tip for this Tuesday—is that bits and bytes are fragile.  Do you know where your backups are?

Luck

Luck is where preparation meets opportunity.*

Or, sometimes, necessity.

My laptop crashed last week.  Just refused to boot up.  “Missing or corrupt system file.”

Dead.  Dead.  Door nail dead.

Today, I am writing this blog post on that same laptop.

I got lucky.  But I planned to be lucky.

Today’s Monday Miracle is two-fold.  It wasn’t a total hardware failure, and I was able to recover from the crash because I had the sense to be prepared for it when it came.

First, I had all of my installation disks for all of my software.  Second, I had a record of all the product keys and serial numbers that so many of them insist you enter when you try to reinstall.  Third, I had two complete and current backups of all my data.  Fourth, this happened once before—a number of years ago.

I can’t even remember whether the prior crash was this laptop or the previous one.  The point is I have experience.  And I took notes.  So, I knew what to do.

I lost some time, but nothing else.

My question to you today is are you going to plan to be lucky?  Or are you going to cross your fingers and hope everything always works out okay? (There’s a guy named Murphy that will give you good odds on that one.)

It’s not just about computers.

Do you get the oil changed in your car?  Do you know how to change a flat tire?  Does somebody have an extra key to your living space?  Have you thought about making and filing a copy of everything in your wallet?  Is your resumé up to date?  Do you have an emergency fund?  Insurance policies?

Are you reading something every day about the industry that you’re in or that you want to join?  Have you stretched yourself lately?  Learned a new skill?  Added some new people to your network?  Re-connected with some old acquaintances?

If something unforeseen happened—good or bad—are you equipped to leverage the good and minimize the bad?

Luck doesn’t just happen.  Unless you’ve got a winning lottery ticket—and even then, you had to buy it.

 


* Seneca

 

 

No mercy?

“Computers are like Old Testament gods; lots of rules and no mercy.”

That is a quote from the ever-brilliant Joseph Campbell.  It is both funny and true, as the best quotes are.

However, it’s Thankful Thursday, and while I realize most of you will think we’ve gone past this point by this time, I am going to talk about how thankful I am for computers.

I love computers.  I know, I know.  Two of the most dreaded words in the English language are “computer error.”  Almost as bad:  when the phone rep says, “the computer is down.”  We hate the computerized phone menus that seem to be malevolently blocking us from talking to a human being.  We are annoyed when the people we are with keep checking their smartphones instead of giving their undivided attention to our scintillating conversation.  We can’t understand how we come to waste so much time on Facebook.

But, oh!  The hours of entertainment.  The increase in productivity.  In my case, the leap from temporary secretary at $15-$20 per hour to computer programmer and over a hundred.  Even more important, I sometimes think, was the antidote to powerlessness.

There is no one who has less power than a would-be actor.  Almost all other artists can practice their craft in the absence of recognition.  If you are a writer, all you need is a pencil and a scrap of paper.  If you are a visual artist, you can draw anywhere.  A singer may sing in the shower.  If you play an instrument, you can play it any time (taking into account consideration for neighbors, of course).

The actor, whose instrument is herself, cannot do much without other actors.

It is the only craft I know where you need permission to practice it.  And another hundred people just got off of the train.*  The competition for that permission is fierce.  Opportunities can be few and frustratingly long in coming.  It’s easy to feel discouraged and incompetent and without power.

But. .  .you can sit down at a computer, and if you know the right keys to press, you can make it do anything.

I love computers.


* Stephen Sondheim, Company, “Another Hundred People”

Discover the world.

“The public library is one of the great strongholds of democracy. Who doesn’t love a library? It is a place you can go in any town and discover the world.”*

My grandmother was a librarian.

She didn’t have a degree in Library Science, and at the end of her career, those who did had been hired and placed in supervisory positions over her.  The final days of her working life (at the age of 89, by the way) were spent entering new acquisitions and affixing the cards to them in the back room of the headquarters branch of the county library system for which she was the earliest employee.  Along the way, she had run a library on a Naval base, opened the first library in Clay County, FL, shelved countless books, traveled miles of country road in a bookmobile, shushed I don’t know how many children, and provided me with most of the books that are in my personal library today.

She didn’t have a degree or, in the end, the official title, but my grandmother was a librarian.

Today’s Friday Find is devoted to something about which I suspect she never knew, even though it began nearly 20 years before her death, but of which I know–know–she would have heartily approved.

Project Gutenberg.

Not much of a find, you say, since it’s been around since 1971?

Okay.  But how many of you have really looked at it?  How many of you have really thought about what it means?

For those of you who haven’t heard of Project Gutenberg, it’s a volunteer effort to digitize and archive cultural works–i.e., books.  As of July 2012, there were over 40,000 items in its collection with about fifty new eBooks being added every week.  (More history here.)

All of the works are available on the Project Gutenberg website for reading and/or download, usually in multiple formats.  Most are in English, although they do have some works in other languages.  They are all, also, all free to users in the United States where their copyrights have expired.  International users should check the laws of their own country before downloading.

The project is named after Johannes Gutenberg, who invented movable type and launched a revolution in 1439 by making knowledge and learning available to the masses.

That’s what a library does, and the heritage that Project Gutenberg, as the next logical extension of the library system, carries forward.

It’s been said, “Give a man a fish, and you feed him for a day.  Show him how to catch a fish, and you feed him for a lifetime.”

I say:  Give people a library and you not only show them how to catch fish but how to clean it, cook it, sell it, paint a picture of it, mount it, raise it and do seventy million other things having nothing to do with fish!

A library should be the last funding cut in a free society.

Meanwhile. . .Project Gutenberg!  Discover the world.

 


* Pat MacEnulty

DIY publishing

Step Two

Yesterday, I was talking about using Calibre to convert documents into the appropriate formats (ePub, Mobi, etc.) for eReaders.  The conversion process was easy to figure out and is astonishingly simple.  The only drawback is that there are some formatting glitches that occur.

Occasionally, you lose your paragraphs.  They get merged together or broken into two ‘graphs at odd places.  All those nifty Microsoft Word features like “smart quotes” and em dashes don’t translate well.  (You can turn that stuff off in Word, but if you forgot to do it before you converted in Calibre, you’ll have a mess.)  In addition, images don’t always end up where you intended.

There is, almost certainly, software you can buy that will allow you to edit an ePub or a Mobi file.  There may even be some freeware that will let you do it.  Tuesday’s Tip, however, is my discovery over the weekend that an ePub file is really just a bunch of HTML files and associated style sheets and image files all zipped up together into one file with the ePub extension.

If you have any kind of zip software and some knowledge of HTML, you can easily fix any problems with your ePub file.  (Note:  I said “easily,” not “quickly.”  It can take some time.)

The first thing to do is convert the document using Calibre.  Then, locate the resulting ePub file on your hard drive.  At this point, I recommend storing a copy of that file in some other location until you’ve finished tinkering.  It’s always good to be able to go back to where you started if/when you get hopelessly stuck.

Once you’ve made the backup copy–(Seriously.  I mean it.  You can never have too many backups.)–right-click on it and open it with your zip software (WinZip, 7Zip, jZip, IZArc–whatever your chosen utility is).

You should see a list of files–several of which have the extension .html.  These are now editable in any text editor.  (I think I mentioned, previously, that I like Notepad++.)

Make your changes (this is where you need that working knowledge of HTML) and check them by viewing each file in your browser.

When you are finished tinkering, select all the files (make sure you get all of them — the html files, the image files, the css files, the opf files and anything else that you unzipped from the ePub file) and use your zip software to re-create the archive.

Rename the new archive to the original name including the ePub extension.

You should now be able to view it on Calibre’s eBook viewer or on your ePub-compatible eReader.

If you’re trying to edit a MOBI file, it seems the simplest thing to do is convert it to ePub, edit, and then convert it back.

Now, one caveat to all of this is I haven’t yet figured out how DRM (Digital Rights Management) protected files work.  I’m talking here about unprotected files.  If you’re looking for info on DRM, you’ll either have to Google for yourself or wait until I’ve climbed that bit of the learning curve.

Gate crashing

“No fate but what we make for ourselves.”*

Thanks to the Internet and to technology, we are getting closer and closer to those words being true.  Where once upon a time it was extremely difficult to get your work–by which I mean, for the most part, your art–out where people could see it, it is becoming easier and easier.  The gatekeepers have less power.  If you are willing to take the chance and invest a little sweat equity, you can bypass them.

It’s not always a good idea.  Perceptions change more slowly than technology, and the seal of approval provided by being selected by a reputable publishing house or signed by an A-list agent still has value.  I’m not advocating “going rogue” entirely.

What I am saying is that the delivery channels are not as narrowly held as they once were.  If you think you have something to offer, there are ways to offer it without waiting for the over-worked and over-solicited gatekeeper to realize its value and pluck you out of obscurity.

I’ve been considering self-publishing for some time, and this Monday’s Miracle is that I have made some significant progress in that direction.  Like the builders of the Six Million Dollar Man, I “have the technology.”

And I’m a little closer to making it work now that I’ve figured out how to turn a standard word processed bit of writing into something that can be delivered in the formats used by the all the major eReaders.

If you want to to the same, you can check out Calibre–a terrific free software for eBook management.  It’s not all I’m going to need.  There are some limitations to its conversion processes, but I’ve solved one of the major difficulties.  I’ll be talking about that tomorrow in Tuesday’s Tips.

Meanwhile, this is a big step forward in what is shaping up to be a major project.  The goal is to take much of my writing and make it available for purchase and download at the bookstore on this website.  Instead of spending my energy trying to attract the attention of literary managers, agents and publishers’ assistants, I can spend it on making the work as good as I can and making it available as quickly as I can.

There are many, many hurdles to overcome before I get there–but getting past the gatekeeper isn’t going to be one of them!

 

 

 


* James Cameron, Terminator 2: Judgment Day

The secret of all victory…

…lies in the organization of the non-obvious.

I’m not quite sure what Marcus Aurelius meant by that.  It sounds good, though, don’t you think?  I may wonder about that on some future Wondering Wednesday, but today is Thankful Thursday.   And so. . .

I am thankful today that technology has provided us with so many ways to help us organize the obvious and the non-obvious.  Maybe too many, but that’s a separate issue.

I have a lot of To Do lists.  And I keep looking for the perfect tool to manage them.  So, right now, a big item on my To Do lists is to merge them all into one master list.  I haven’t quite accomplished that yet, because each of the tools I use has different strengths, and picking one has been difficult.

It probably doesn’t matter which one I pick.  I really just need to choose one and use it with obsessive-compulsion.  I’ll work on that.

In the meantime, I thought you might want to take a look at some of the candidates and see if there’s anything here that would work for you.

The most recent find is Remember the Milk–an online To Do list that will email you reminders of tasks.   I haven’t done much experimentation with it, but it looks straightforward and relatively easy.  You have to sign up for a free account, however, and your list resides on their server.  I’m not quite sure I like that.  Just how private will it be?

On the other hand, I can carry a list in my pocket on a PDA or a smartphone.  I have to say that I don’t much care for the Task List in my Blackberry.  The one in my Palm Pilot is/was much more versatile.  Easier to view, to sort, to print, to reschedule tasks and to categorize them.  Plus, the Palm reminder alarms are more insistent than the Blackberry, and they stay on the screen.  The Blackberry lacks most of that functionality.  It will activate a brief alarm, but if you’re not near it at the time, the notification will have disappeared.  The next time you pick it up, you’ll have no idea.  It makes the Blackberry task list nearly worthless.

An organization tool that is a lot of fun–and takes significant disk space and memory to run–is The Personal Brain.  You can link all kinds of documents and ideas and websites together in multiple configurations.  This makes it possible to organize your tasks and thoughts in more than one way.  You can look at things according to project or according to which things you can accomplish at your computer or according to almost any other hierarchy you want to take the time to try.  On the downside, I haven’t figured out how to print lists of any kind, it’s a bit time-consuming to set it up, and it does take a lot of hardware resources to run smoothly.  But it’s fun  to see everything you’ve entered float around as you rearrange the connections, and it’s kind of cool to say “Let me just check my Brain.”

Another free program that I’ve found to be useful is Stickies.  It’s like having electronic sticky post-it type notes.  I used to list a lot of items in a sticky until my friend Carole mentioned that she creates one sticky per task so the notes are all over the monitor.  It’s very satisfying to close them as the tasks are completed.  The link above is for the PC version, but I’m fairly sure there’s something similar for Mac users.

All of those tools have some value.  And, of course, you can always use a pencil and paper or a Word document (outlines can be useful to organize a To Do list in Word).  The one tool to which I find myself returning most often is one I can’t really show you.  I developed it myself in Microsoft Access, and while it still needs work, it has many of the features I like.  It lets me organize by broad categories with increasing granularity through projects and sub-projects down to actual tasks.  I can set due dates and priorities and print various lists.  It doesn’t buzz at me, though, when something is looming.  Someday, I’ll see if I can’t add that to it.

Meanwhile, I think I should probably actually do something instead of spending all my time making lists.

But remind me sometime to talk about the progress bars we set up a few months ago.  They were an amazing productivity tool!

***

(Update for the email subscribers:  We’re still trying to figure out why the emails aren’t going out every day.  I am posting every day, and you should get two links the day after a skipped post.  You can always find it on the website if you’re wondering.  My continued apologies for the currently inexplicable.  I think it’s gremlins.)

Something wacky is happening

. . .in the Space-Time Continuum

I have fallen into a chasm that yawns between WordPress, FatCow and MailChimp.

Woe is me.

It’s Friday, and instead of bringing you a fantastic Friday Find–something useful or fun or inspiring–I am on a mission to discover, once and for all, why these blog posts don’t always email to my long-suffering subscribers.

Unfortunately, it seems to involve higher math.  Time zones.  UTC offsets.  Daylight Savings Time.  And, really, for a person who actually passed calculus classes, it is sad how bamboozled I am by time calculations.

Of course, it’s quite likely I’d be bamboozled by differential equations now.  To be perfectly honest, I’m not sure I wasn’t then.  I’ve never really understood how I passed calculus. Although, I’m fairly certain it had a lot to do with one fabulous teacher, Miss Impagliazzo at Concord High School.

In the meantime, when I have to figure out times, I turn to one of the best inventions ever:  The Sun Clock which is a graphical representation of day and night and local times around  the world.  (If you want tables of local times, try the World Clock. )

But neither of those clocks seem to be helping me now.

All I know now is that my subscribers might have missed the squirrel post and/or the world in motion post, and MailChimp thinks it’s because the posts were published after the email was scheduled to go out.  But I think that the published time at which they are looking is UTC time and not Eastern Daylight Time, so they didn’t publish after the scheduled email time.

Except, you know, it’s like higher math–so I am not sure at all.  More research is indicated.

For those of you who don’t know, UTC stands for Coordinated Universal Time.  (Don’t ask me why its acronym is not CUT.  I guess they didn’t want to use a real word.)  It replaced Greenwich Mean Time (GMT) as the standard for time in 1986.  So far, my search has revealed that UTC is based on atomic measurements rather than the earth’s rotation.  Thus, it is supposed to be more accurate.

I’m just trying to get this blog to people’s inboxes every morning.  So I don’t really need the precision of atomic seconds.  I need a schedule that could be described as “around 9-ish.”  How hard is that?

So far, everyone is confused.  WordPress asks me what time zone I’m in.  So, you’d think it would understand that when I schedule a post for a certain time, I mean in my time zone.  Research, however, has indicated that they might mean UTC time.  And the email service says they need about 5 hours between posting and the scheduled distribution time.  But what time zone are they using?  And my web host is just confused.  (Join the club.)

I’m thinking that some of this problem must be that WordPress is using UTC time in the scheduling and disregarding the local time zone.

So….today, we are experimenting.  This post is scheduled to publish at 4:10 am on July 27th.  The email is scheduled to go out at 9 am.

If the WordPress time and the MailChimp time are both local, there are 4 hours and 50 minutes between publishing and emailing–and it should work.

If one is UTC and the other local, there are only 50 minutes between publishing and emailing–and it might work.

If….oh, forget it!  Let’s just see what happens.  And today, while you’re reading this–if you’re reading this–I’ll be trying to get somebody to tell me what is happening in which time zone.

If you’re not reading this, I’ll be doing the same thing but you may never know it.

And if, by any chance, you have ever wondered why I don’t write sci-fi time travel stories, I trust the reason is now clear to you and that you are properly grateful.

Leveraging the technology…

…to multiply your chances

Sometimes we don’t put our work out there because we don’t want to cope with the rejection.

There are two things I’ve learned about that.

One is that if you don’t submit, the answer is definitely “no.”

The second is that it’s easier to take a rejection letter if you know you have other submissions in play.  This theatre, publisher, art gallery, gate-keeper-of-choice turned you down.  One or more of the others might say, “Yes!”  That thought makes it easier to keep submitting when the rejection comes and is the best reason I know to have multiple submissions going at any one time.

Anything that makes it easier to submit is a very good thing.

So, today, I’m thankful for the growing number of theatres that accept electronic submissions.

I know a lot of playwrights who have been wary of sending out digital copies of their work.  Maybe some of them still are.

The concern is that a Word document or a PDF is so easily copied.  And so easily edited.  Some are worried about losing control of their work, and some are worried about outright plagiarism.

All of that could happen, of course.

But let’s be realistic.

With the availability of scanners, what’s to stop determined plagiarists from loosening the little brads of your report cover, taking your script out of it, and digitizing it themselves?  Yes, it’s harder.  But not that much harder.

You’re not really protecting your work by sticking to hard copy.  You’re killing a few more trees, making the submission much more expensive to you (report cover, paper, ink, envelope, postage), and making it more difficult and time-consuming to get it out the door.

Contrast that with what happens when the theatre allows an electronic submission.

You collect your digital files:  the script, the bio, the production history, and whatever else this particular theatre wants.  (You should have all of this sitting in a folder on your hard drive, ready to go.  If not, why not?  Don’t have any way to create a PDF? Try CutePDF, a good free solution.)

You make any adjustments necessary to fit the submission guidelines.  (Maybe they want a blind copy or a longer or shorter synopsis than the one you usually use.)

You address and compose your email, attach your document, and click “Send.”  (If your email program allows it, request a Return Receipt so you know the transmission is received.)

You’re done!  It’s a half-hour, at the most, instead of the other way’s half- to two-day process.

And the poor literary manager at the other end can read scripts on her eReader instead of lugging them home in back-breaking bundles.

There’s no contest.

More of my stuff gets out to more places because a lot of the friction has been removed from the process.

When I first began submitting electronically, I was a bit hesitant.  Now, I love it when they offer that option.

 

That’s me!

Branding, Intellectual Property and Google Alerts

This Tuesday’s Tip is about Google Alerts.  Get one, use it, pay attention to it.

What is a Google Alert?

It’s a way to let Google do some of the work of keeping you updated and informed.

You can set up a query for anything, and Google will email you a summary of links of instances where your search terms appear on the web.  On an ongoing basis.

Say you are fascinated by–I don’t know–koala bears.   You can set up a Google Alert for the term “koala bear” and get a daily, weekly, or real-time email of websites where that term appears.  You can choose to be informed about every website or only news stories, blog mentions, videos, or books.  You can choose to let Google determine the best matches and email you only those, or you can opt for all results.

As an artist, this can work for you in three ways.

The first, perhaps, is obvious.  Research!

Writing about koala bears?  Let Google do some of the grunt work, and have new info delivered to your inbox daily.  Of course, you will still need the library and reference books, but a Google Alert can save you time by letting you know there’s a new book being published next week.  You can be the first to request it on Inter-Library Loan.  It’s like your own personal research assistant for content.

It can help with market research also.  If you’re trying to put together a book proposal for a non-fiction work–the definitive treatise on koala bears–you’re going to need to include research on the competition.  How many books about koala bears are there anyway?  Maybe you should write about apple cider instead.

The second reason has to do with branding.  Whether you are doing business under a company name or your own, it’s probably a good idea to know how else that name is being used.  In my case, it turns out there are quite a few other Elaine Smiths out there.  (I’d have bet on the Smiths, but the Elaines were more surprising.  I don’t meet too many Elaines–Seinfeld and The Graduate notwithstanding.)

Quite a few of the links in the Google Alert I have on my name are one-offs.

Obituaries head that list, of course.  Surprisingly, they are often encouraging.  In fact, I hope I do as well as the Elaine Robb Smith who passed away in 2009 and was described thusly:  “”Even into her 90s, Elaine Smith could do a smooth time step, tapping her way down the hall of her adult-care facility using her walker.”

There are, however, a small circle of us who make recurring web appearances.  There is the Elaine Smith who is a member of the Scottish Parliament.  There is the Elaine Smith who designs outdoor pillows.  There is the Elaine Smith, who, sadly, recently also passed away, who founded Therapy Dogs International.  There is Elaine Smith, House Member of the Idaho State Legislature.

I don’t know if I have anything in common with these ladies other than our name, but it’s kind of fun to see them surface time after time in news stories and to follow their careers at this anonymous distance.  (I did once write to Representative Smith of Idaho, because she was courageously standing up for women’s rights, and I thought I would just say thanks.)   Fortunately, they all seem to be eminently respectable, hard-working, contributing members of society.  I’m not sure what I would have done if a porn queen popped up.  Fortunately, I’ve never had to decide–but it would have been a branding issue, for sure.

Almost certainly, these women know nothing about me (unless they have their own Google Alerts), but most days, I see them mentioned in my inbox.

And that brings me to the third, and possibly most important, reason to have a Google Alert on your name.

The concept of  intellectual property is going through massive mutations in the hearts and minds of internet users.  The laws, however, remain the same.  You write it, you own it.  It should not be copied, distributed, posted, etc. without your permission.  No independent artist, however, can safeguard their work completely.  We don’t have the time or the resources.  But a Google Alert can help.

Cautionary tale:

I said earlier that I see the other Elaine Smiths appearing in my inbox with fair regularity.  Usually, when I get my daily Google Alert, I scan it, checking them off in my mind.

There’s the pillow lady.  There’s the dog lady.  There’s the member of  Scottish Parliament.

I check it out, check them off, and move on with my day.  One day, however, a couple of years ago, I got my Alert email, and the internal dialogue went like this:

There’s the pillow lady.  There’s the dog lady.  There’s the member of  Scottish Parliament.  Huh.  That sounds like my play.  That is my play!  That’s me!

A small theatre was advertising a reading of my play.

Now, I had submitted the play to them.  They, however, had never approached me for my permission to do a public reading or even informed me it was happening.  In the theatre world, this is a BIG no-no.

I would never have known without the Google Alert.

I give the theatre the benefit of the doubt.  It may have been something that slipped through the cracks.  Possibly, several people each thought somebody else had been in touch with me.  I got in touch with them, and they were apologetic.  They offered to cancel the reading.  Since there are not usually any really good reasons not to have a reading, however, I told them they could proceed.  No real harm done, except that I might have been able to be there if I’d known about it.

On the other hand, it could have been a production, and that would have been a big problem.

So, set up a Google Alert on your name and on your titles.  Pay attention to it.  Make sure that when your own work pops up in the middle of the snippets about therapy dogs and pillows and the Scottish Parliament that there’s a chance you’ll know it.